Camerimage, the festival in Toruń, Poland dedicated to the art of cinematography, handed out its prestigious Frog prizes this evening. The big winner was “Joker” cinematographer Lawrence Sher, who won the top prize, the Golden Frog, in addition to the Audience Prize. The Bronze Frog was awarded to “The Painted Bird” DP Vladimír Smutný, while “The Two Popes” DP César Charlone won the Silver Frog.
Now in its 27th year, Camerimage has become homecoming week for cinematographers from around the globe, with a vast number of the best DPs, past and present, in attendance. From an awards perspective — considering cinematographers nominate their colleagues — it’s hard to overestimate the value of DPs presenting their work and discussing their craft with their tight-knit community during the week-long celebration.
Sher — whose “Joker” screened early in the fest, and has been in attendance and an active participant in events all week — already looked poised for his first Oscar nomination before winning today’s top prize from an elite jury of his peers, which included John de Borman, Peter James, Teresa Medina, Anastas Michos, Dante Spinotti, along with screenwriter Jordan Roberts and jury president director Michael Hoffman.
“Joker” cinematographer Lawrence Sher
Niko Tavernise
Recognition for two smaller films, Netflix’s “The Two Popes” and the black-and-white Czech Republic Oscar entry “The Painted Bird,” which also won the FIPRESCI International Critics Prize, could elevate them into cinematography contention. Both films were well-received in Toruń.
Also in competition were “Ford v Ferrari” (DP Phedon Papamichael), “The Irishman” (DP Rodrigo Prieto), “The Last Black Man in San Francisco” (DP Adam Newport-Berra), “Motherless Brooklyn” (DP Dick Pope), “An Officer and a Spy” (DP Paweł Edelman), “Never Look Away” (DP Caleb Deschanel), “Mr. Jones” (DP Tomasz Naumiuk), “Shadow” (DP Xiaoding Zhao), “Bolden” (DP Neal Norton), and “Amundsen” (DP Paal Ulvik Rokseth).
Not in competition was “Once Upon a Time in Hollywood,” the closing-night film shot by veteran DP Robert Richardson. In a tribute to his great cinematographer, Quentin Tarantino flew to Poland to share the stage with Richardson as the two accepted the Duo Award for their six-film collaboration.
“This is one of the proudest awards I’ve ever won,” said Tarantino. “I just got married this last year, but before that I’ve been married to this man [gesturing to Richardson]. After we first started working together, he said, ‘How do you think it’s going?’ And I said, ‘Oh, I’m putting towels in my house that have your monogram and my monogram on it.”
Quentin Tarantino and Robert Richardson, “The Hateful Eight”
Shutterstock
After laughs, applause, and the Polish translation, Tarantino got sincere. “I mean this from the bottom of my black heart,” Tarantino said. “Working with Bob is literally one of the greatest joys of my life and he’s led my films to a visual sophistication that, back when I was working at the video store, I couldn’t even dream of achieving myself, but I could appreciate in others.”
Richardson revealed to the audience that since they arrived in Poland, Tarantino has been sharing something he is currently writing.
“Quentin is the most brilliant director I’ve ever worked with,” said Richardson, who has worked with other notable auteurs like Martin Scorsese and Oliver Stone. “Last night I sat with him for an hour and he read something to me that he just wrote, and this morning as well. His brain is fucking on fire. We should all be so lucky as cinematographers to have a man this talented, and why we create as cinematographers is because of men and women like him, and we should be very much in praise. Quentin, I love you.”
Popular on IndieWire
Source: Read Full Article
